The Hand of Glory - Part 2

The hand of Glory is finally finished, looking all pretty in its shadow box, and ready to... hang! (BWAHAHAHAHA! HANG! like, it's already been hung? y'know, hand of a hangman? no? someone?)

If you stumbled here first, I strongly recommend you to read Part 1 of this tutorial, 'cause we're jumping to the finishing touches right after the break!

The Hand of Glory - part One

In the good old days where you could be accused of witchcraft and burned at the stake for the simple act of living past 40 years old (Caveat Lector! I may or may not be making this up.), the european continent was riddled with strange and creepy beliefs.

One of those was the Hand of Glory; the mummified hand of a criminal who died at the gallows. It was believed that lighting a candle, made from the fat of the same man, or each individual finger, depending to whom you ask, would plunge a whole household in a deep sleep, which would last until the flame had been snuffed, either with blood or milk.

This made the Hand of Glory the perfect tool for burglars and other sly folks with crime on their minds.

Following the reading of this post by the good spirit behind Propnomicon (Is it a man? a woman? an unspeakable horror? who knows!), I decided to make myself a mummified hand. Not only that, I was also going to make it with some ghetto-ass materials.

The Finger of Nephren-Ka

Propnomicon just posted pictures and a very detailed walkthrough of a mummified human finger prop he recently made, using traditional gaff making techniques. The results & presentation are quite impressive, and makes me want to try making a whole hand. That's definitively on my to-do list.

You can go take a look at it and gather all the info you need by clicking HERE.

Taxidermy: In which we add flesh to the beast

Greetings, one and all! We are getting close, dangerously close, to completing the amazing feejee mermaid. This time, we'll see how one can apply a realistic, strong skin to the upper body to make it look like the dessicated flesh of a mummified corpse.

This part is my favorite. It's fun and messy, and doesn't require much talent nor concentration; it's impossible to make it look bad.

To add flesh and skin to some bone or armature, I like to use a combination of materials to achieve maximum strength and realism. For large areas, it's simply a matter of layering. For highly detailed zones, such as the hands or face, it's almost like sculpting with papier mâché.

Read the full tutorial with pictures after the jump.